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Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/59d76cd049fc2b6facbbeb56/fedb585d-4a65-4f84-90ee-ad56dd04cd57/Glasslaven_Sigrid_Espelien_WebRes_03.jpg Separatutstillinger https://images.squarespace-cdn.com/content/v1/59d76cd049fc2b6facbbeb56/7a2b7fce-4e69-47e6-80a2-f62a38515759/Glasslaven_Sigrid_Espelien_WebRes_12.jpg Separatutstillinger - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/59d76cd049fc2b6facbbeb56/fbd359be-2af8-4166-8779-89a03bbf91d0/Glasslaven_Sigrid_Espelien_WebRes_02.jpg Separatutstillinger https://images.squarespace-cdn.com/content/v1/59d76cd049fc2b6facbbeb56/1507290620395-WF03SND7QRBE1NFZPVE9/vindu.JPG Separatutstillinger https://images.squarespace-cdn.com/content/v1/59d76cd049fc2b6facbbeb56/1513609532476-TJVLL5Z2E69LBLCOY0TS/grobak.JPG Separatutstillinger https://images.squarespace-cdn.com/content/v1/59d76cd049fc2b6facbbeb56/1513868553938-WWAE4YORH5RQ9FAN5NRD/smallreseach1.JPG Separatutstillinger https://images.squarespace-cdn.com/content/v1/59d76cd049fc2b6facbbeb56/1513083883322-W8KG4JYYYCOWCN2OFGQJ/vindu.JPG Separatutstillinger MJØSTEGL 2017 Murte skulpturer av vedbrent tegl av blåleire fra Vardal i Gjøvik, research og tegninger. Separatutstilling på Galleri Fjordheim, Gjøvik, september 2017. Rundt Mjøsa lå det rundt 25 teglverk. Disse produserte tegl til oppbyggingen av Gjøvik, Hamar og Lillehammer. I dag finnes det ingen teglverk i Norge og det er heller ikke noe utsalg av blåleire hos leireforhandlerne. Med dette som bakgrunn, opprettet Sigrid Espelien Norges eneste teglproduksjon over sommeren 2017. Med hjelp fra venner og familie gravde hun opp blåleire, bearbeidet leira, laget murstein, bygde vedfyrt keramikkovn og brente fra hagen til broren sin i Vardal i Gjøvik. — MJØSBRICKS 2017 Sculptures built of woodfired bricks made from local clay from Gjøvik, research and drawings. Solo exhibition at Galleri Fjordheim, Gjøvik, September 2017. Around the lake of Mjøsa there used to be about 25 brick factories that produced bricks to build the towns Gjøvik, Hamar and Lillehammer. Today there are no brick factories left in Norway and one cannot buy local clay in the ceramic material's stores. With this as the starting point, Sigrid Espelien set up Norway's only brick production over the summer 2017. With a lot of help from friends and family she dug up the local clay, prepared the clay, made bricks, built a woodfired ceramic kiln and fired the bricks from her brother's backyard in Vardal in Gjøvik. — TITLES Vindu, Murt sirkel av selvproduserte Mjøstegl med leire fra vardal, brent i vedfyrt keramikkovn. Gulv,72 stk. selvproduserte Mjøstegl med leire fra Vardal, brent i vedfyrt keramikkovn. Innkjøpt av KODE Museum i Bergen. Hjørne, Murt hjørne av selvproduserte Mjøstegl med leire fra Vardal, brent i vedfyrt keramikkovn. Form, teglform i tre Researchboks: Leire, Den første teglsteinen, rå teglstein med nytt design, tegninger av leirebehandlingsprosess og kart over leireuttak, brenningstest av leira, relevant tegllitteratur Researchbord: Brenning, Mjøstegl, tegninger over design av vedfyrt keramikkovn, brenningskurve, fyrings-ale, brenningskegler som var med i brenningene for å vise temperatur i ovnen, gran- og ospeved. Historisk Illustrasjon, Oversikt over historiske teglverk rundt Mjøsa.       https://images.squarespace-cdn.com/content/v1/59d76cd049fc2b6facbbeb56/1507551361033-DTXIX83AUWKHQYG8FBZA/Time31_0.jpg Separatutstillinger - Tid Dette er mitt eksamensprosjekt, i støpt porselen, fra Glass- og Keramikkskolen på Bornholm. Jeg jobbet ut i fra begrepet "tid" i både uttrykk og idé, der jeg laget 250 moduler som alle hadde forskjellige åpninger. Jeg ser disse åpningene som mange unike utgaver av et fastfryst øyeblikk eller som en boble som brister, og på denne måten valgte jeg også å kalle verket "Tid". Jeg brukte modulene som et byggesett som kunne innta forskjellige gallerirom på forskjellige måter for hver gang. https://images.squarespace-cdn.com/content/v1/59d76cd049fc2b6facbbeb56/1547910745390-BAWJNR3QV8ETC25IMAR9/Sigrid_Espelien-18.jpg Separatutstillinger https://images.squarespace-cdn.com/content/v1/59d76cd049fc2b6facbbeb56/1602233480934-F3TYSK3SLHU35YWUZFDR/image.jpg Separatutstillinger https://collectivethinkingmachine.cargo.site https://images.squarespace-cdn.com/content/v1/59d76cd049fc2b6facbbeb56/1617183850693-HVZJT1I9KSG1DOZOV84V/image.jpg Separatutstillinger - Askerleire og andre leirer Separatutstilling på Det gule hus i Asker, august 2020 Utstillingen besto av nye arbeider laget av og med leire fra Asker og en del av utstillingen var eldre arbeider med leire fra Bjørvika i Oslo. https://images.squarespace-cdn.com/content/v1/59d76cd049fc2b6facbbeb56/5e8ccd45-4983-4f4a-aa11-87c6352184b9/triangelstuktur.jpg Separatutstillinger https://images.squarespace-cdn.com/content/v1/59d76cd049fc2b6facbbeb56/71afae01-1f1f-4d4d-a05a-488694dc452d/Glasslaven_Sigrid_Espelien_WebRes_06.jpg Separatutstillinger https://www.sigridespelien.com/mjstegl daily 0.75 2019-02-11 https://images.squarespace-cdn.com/content/v1/59d76cd049fc2b6facbbeb56/1513869485926-PF9PO3HQ63EOBBY24J88/bj%C3%B8rvikaleiremursteinen.JPG Bjørvikaleire BLOGG → Bjørvikaleire: Research fra en kunsthåndverkers perspektiv Det nye kultur- og finansdistriktet i Oslo er fundamentert med peler gjennom 30-90 meter med blåleire og festet ned i grunnfjellet. Dyktige ingeniører har beregnet hvordan man kan bygge på den usikre grunnen. Geologer er bekymret for at byggeaktiviteten gjør at Oslo forskyver seg og synker fortere. Arkeologer graver opp ting underveis i byggeprosessen slik at nye historiske koblinger kommer til syne. Keramikeren, meg, ser leire bli gravet ut, kjørt bort fra byen og ikke brukt til keramiske formål men som fyllmasse. Fylling i en oppbygget skibakke, i lydisolasjon langs med motorveiene eller andre formål hvor leira ikke syns. For meg har Bjørvikaleira stor verdi, da materialet automatisk inneholder spørsmål om byutvikling, historie, politikk, geologi, arkeologi og samtida generelt. Byggeplassene, som sår på kroppen, åpner opp for en unik periode i norsk historie, hvor vi både kan se bakover og framover. Gjennom leire. — BLOG → Bjørvika Clay: Research from a Ceramic Artists´Perspective The new financial and cultural district of Oslo is built on stilts through 30 to 90 meters of clay and secured into the bedrock. Skilful engineers have solved complicated problems on how to build and construct in such circumstances. Geologists are worried about what effects the building activity have on the ground. It has already started to sink and shift horizontally. Historians and archaeologists are excited to see the findings from the 1500s being dug out from the construction sites, revealing new historical puzzles. The ceramic artist, in this case me, can only see the clay being dug out, taken away and not used for ceramic purposes but as filling. Filling for a constructed alpine park, as filling in sound insulation for the highway or other projects where the clay is of no importance as material. For me the Bjørvika clay is of the highest value, because it automatically contains questions of city development, history, politics, geology, archaeology and contemporary issues because of its location. The construction sites, like wounds on a body, reveals a unique time in Norway’s history, where we can both look into the past and to the future. Through clay.     https://images.squarespace-cdn.com/content/v1/59d76cd049fc2b6facbbeb56/1547212294648-DJ8BETWYTL74W0DR3TPU/Sigrid_Espelien-11.jpg Bjørvikaleire https://images.squarespace-cdn.com/content/v1/59d76cd049fc2b6facbbeb56/1547294028747-YSHLXK7OGXGWFM5V9C5E/Sigrid_Espelien-4.jpg Bjørvikaleire https://images.squarespace-cdn.com/content/v1/59d76cd049fc2b6facbbeb56/1547295332156-AQH5S5NGHGH9593YBD6G/Keramikk02.jpg Bjørvikaleire MIDDELALDERSERIEN 2017 Middelalderskålene og koppene er basert på arkeologiske funn gjort av Norsk Maritimt Museum i Bjørvika. Funnene ble funnet i skipsvrak og er deler av importert keramikk trolig fra Tyskland og NordEuropa fra senmiddelalderen og renessansen. Serien er laget av leire fra byggeplasser i Bjørvika og selges på Norsk Maritimt Museum i et begrenset opplag på 100 stk. I forbindelse med dette delprosjektet som en del av prosjektet Bjørvikaleire: Research fra et kunsthåndverkers perspektiv, har Sigrid Espelien arrangert matarrangementer på fellesatelieet M20 i Gamlebyen i Oslo. Her serverte hun middelaldermat og øl fra keramikken, og maten var basert på arkeologiske funn av matrester fra middelalderen gjort av NIKU. http://bjoervikaclay.tumblr.com/post/155765553940/middelaldermat THE MEDIEVAL OSLO CLAY SERIES 2017 This ceramic series is inspired by archeological findings made by The Norwegian Maritime Museum in Bjørvika in Oslo. The original ceramic chards were found in shipwrecks and are functional ceramics imported from Germany and Northern Europe in late Middle Ages/ Renaissance. Sigrid ́s series is made with local clay from Oslo and is sold in the museum store in The Norwegian Maritime Museum in a limited edition of 100 pieces. Sigrid Espelien made Medieval food events in her shared studio in Oslo as part of this project and the bigger research project Bjørvikaclay: Research from a Ceramic Artist ́s Perspective. From the bowls and cups she served medieval food and beer, and the food recipes were inspired by archaeological findings of food leftovers from the middle ages made by NIKU. https://images.squarespace-cdn.com/content/v1/59d76cd049fc2b6facbbeb56/1511864676483-8E2F7TRFMD18SZXG3QEP/bj%C3%B8rvikabyggeklosserforvoksne.jpg Bjørvikaleire BJØRVIKABYGGEKLOSSER FOR VOKSNE 2016 30,5 x 61 x 10 cm, keramikklosser laget av leire fra byggeplasser i Bjørvika, rå leire, printet illustrasjon og carrarramarmor Årsutstillingen 2016, Norske Kunsthåndverkere, Hydrogenfabrikken, Fredrikstad — BJØRVIKA BUILDING BLOCKS FOR ADULTS 2016 30,5 x 61 x 10 cm, ceramic objects made from local clay from Oslo, unfired clay, printed illustration and carrarra marble. The Year Exhibition 2016, The Norwegian Association for Arts and Crafts, Hydrogrenfabrikken, Fredrikstad, Norway https://images.squarespace-cdn.com/content/v1/59d76cd049fc2b6facbbeb56/1511863808961-3W9GC1JUXJHFBEJPOTEP/DSC_1499.jpg Bjørvikaleire GAMLEBYENBOLLEN 2016 Pottery is Back! , Kunstnerforbundet, Oslo Pressformet bolle laget ut i fra bydelsgrensa til Gamlebyen i Oslo. Leire funnet innenfor bydelsgrensa. — OLDTOWN BOWL 2016 The bowl was part of the group show Pottery is Back! at Kunstnerforbundet in Oslo Pressmoulded bowl inspired by the city district border of the old town of Oslo. The clay was found inside the city district border. https://www.sigridespelien.com/equanorth-1 daily 0.75 2017-12-21 https://images.squarespace-cdn.com/content/v1/59d76cd049fc2b6facbbeb56/1511862337931-UH3U77X7NR7JYJO46NUV/smallcloseresearch.JPG Equanorth KERTIYASA: REPRODUCING REPRODUCTIONS, 2015 Kommunitas Salihara, Jakarta, Indonesia Gull –og blankglaserte porselen, fotokopierte tekster og fotografier. Variable dimensjoner Til utstillingen 125.660 Specimens of Natural History, laget EQUANORTH suveniraktige, skandinaviserte arketyper av indonesisk tradisjonell arkitektur i porselen. Disse var eksempler fra de fem største øyene i Indonesia: Jawa, Sulawesi, Kalimantan, Papua og Sumatra. Gjenstandene ble satt inn i en fiktiv setting sammen med research materiale fra Alfred Russel Wallace sine tekster om oppdagelser og kategoriseringer av arter i Indonesia. EQUANORTH er en norsk-indonesisk gruppe bestående av Sigrid Espelien og Farid Rakun. De jobber stedsensitivt med kritisk turisme, arkitektur og keramikk som utgangspunkt for research. http://reassemblingnature.org/125660-specimens/ — Kertiyasa: Reproducing Reproductions, 2015 Kommunitas Salihara, Jakarta, Indonesia White and gold-plated glazed porcelains, photocopied texts, inkjet photographs. Variable dimensions Courtesy of the artists For the exhibition 125.660 Specimens of Natural History, EQUANORTH have made porcelain, souvenir sized archetypes of Indonesian traditional architecture from the five biggest islands Jawa, Sulawesi, Kalimantan, Papua and Sumatra. This is shown together with research material from Alfred Russel Wallace´s writings on specimens in Indonesia. EQUANORTH is a Norwegian-Indonesian group that works with critical tourism, architecture and craft as starting point for site specific research.   https://www.sigridespelien.com/gruppeutstillinger-1 daily 0.75 2025-10-15 https://images.squarespace-cdn.com/content/v1/59d76cd049fc2b6facbbeb56/1507551555868-K3OV127JWUZ297C9OHAS/Coilismdetail31_0.jpg Gruppeutstillinger - Coilism Cranbrook Academy of Art Graduation show Cranbrook Museum- May 2012 — Photos by Zachariah Szabo https://images.squarespace-cdn.com/content/v1/59d76cd049fc2b6facbbeb56/1534243240519-0DR5NV1KPIBEAWT24OMJ/kuhorn_kalas2018.JPG Gruppeutstillinger TIL BORDET: PØLSEPRODUKSJON, BEHOLDER, VÆSKEOVERFØRING, VARMEREGULERING, LYSPRODUKSJON Brent blåleire. Gruppeutstilling KALAS, Sveinhaus Gård, Juni 2018 Med utgangspunkt i digitalarkivet til Mjøsmuseet har Sigrid sett på verktøy og beholdere som var å finne på de gamle gårdene i Mjøsområdet. Med denne inspirasjonen har hun laget fem gjenstander av brent, selvgravet blåleire. FOR THE TABLE: SAUGAGE PRODUCTION, CONTAINER, TRANSFER OF LIQUIDS, HEAT REGULATOR, LIGHT PRODUCTION Fired local clay Group exhibition KALAS, Sveinhaug gård, September 2018 Sigrid has made five ceramic sculptures based on local, historical tools and containers from the digital archive of Mjøsmuseet. The clay is dug out and prepared by the artist. https://images.squarespace-cdn.com/content/v1/59d76cd049fc2b6facbbeb56/1599514950823-FD27DL1G0JLDNL7KYVBN/rot+stokk+stein+detalje+2.jpg Gruppeutstillinger - Root, log, stone Adobe clay from the area, Hvitsten salong 2020 https://images.squarespace-cdn.com/content/v1/59d76cd049fc2b6facbbeb56/3d13fb4f-8bee-4d32-b9e4-9c4eedf82bb1/web-6874.jpg Gruppeutstillinger https://www.sigridespelien.com/kunst-i-offentlig-rom daily 0.75 2025-10-15 https://images.squarespace-cdn.com/content/v1/59d76cd049fc2b6facbbeb56/1760557264388-RJ06A8XTQ4E4TIBIN2G8/IMG_9874.JPG Kunst i offentlig rom https://images.squarespace-cdn.com/content/v1/59d76cd049fc2b6facbbeb56/1760557255338-VBJJIM5RUZFHDDP5QXC1/IMG_9864.JPG Kunst i offentlig rom https://images.squarespace-cdn.com/content/v1/59d76cd049fc2b6facbbeb56/1760559482635-VD54AOVBHOJE3RSYYWQZ/_V6A6106-1%2Bcopia%2B2.jpg Kunst i offentlig rom 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Kunst i offentlig rom Foto: Sol Archer https://images.squarespace-cdn.com/content/v1/59d76cd049fc2b6facbbeb56/1760557112749-ILJF9XPI7T196EJ8FNJ5/DSC02051.jpg Kunst i offentlig rom - Foto: Sol Archer https://images.squarespace-cdn.com/content/v1/59d76cd049fc2b6facbbeb56/1760557133739-IBGPFSFTMBYX3YL0U1DT/DSC02056.jpg Kunst i offentlig rom - Foto: Sol Archer https://images.squarespace-cdn.com/content/v1/59d76cd049fc2b6facbbeb56/1760557133841-6BAMT2350Z62GY6Z4YN0/DSC02063.jpg Kunst i offentlig rom - Foto: Sol Archer https://images.squarespace-cdn.com/content/v1/59d76cd049fc2b6facbbeb56/1760557153049-UPR68B8NBUCEG43W2HUT/DSC02189.jpg Kunst i offentlig rom - Foto: Sol Archer https://images.squarespace-cdn.com/content/v1/59d76cd049fc2b6facbbeb56/1760557149489-9GOWTITVIY4OKTKCT10K/IMG_1017.JPG Kunst i offentlig rom - Foto: Sol Archer https://images.squarespace-cdn.com/content/v1/59d76cd049fc2b6facbbeb56/1760557163493-VM6WDYPU9CP6R0Q67EF0/IMG_1021.JPG Kunst i offentlig rom 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